Publications By Anthony P. Palmieri

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BIO:

Anthony Palmieri founded Palmieri Concepts after 20 years of creating custom art work for his own pleasure and enjoyment. This business grew out of a love for motor vehicles and was started to share with others what started out as a hobby. After taking how his own pride and joys (yes this really started with family pictures and not cars) and combining them with creativity, it became obvious that many others would like to showcase their trophies as he has done. He has also written numerous articles on automotive art and collector car photography.

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- Classic Car Pictures and Art by Palmieri Concepts -

 

1932 Chevy Roadster  image - Classic Car Pictures

1967 Pontiav GTO Image - Classic Car Pictures

1970 Chevrolet Chevelle SS image - Classic Car Pictures

1969 Camaro Yenko ImageImage - Classic Car Pictures

 

 

 

 

By: Anthony Palmieri
February 16, 2006


Abstract:

The designers of automobiles are artists. From the initial idea to final production, the creativity, ingenuity and vision required are all characteristics of an artist. Close your eyes and think of the last automobile that really stuck in your mind for its elegance, style, and beauty. It seems that no matter what age you are, chances are you think of an automobile from your impressionable teen years. The intent of this article is to open your mind and think about the elegance, grace, and styling of cars before you were born, to the present. If you have not been to one of the large automobile shows that cover all classes of vehicles and years you must do this. One of the most popular shows that I have seen is "World of Wheels" where you can see a large diversity of vehicles. However, do not neglect the smaller local shows where you can still get a great sampling or vehicles, and actually talk with the owners.

Appreciating The Beauty Of Classic Automobiles

I grew up in the muscle car era of the 1960's and early 1970's, where there was enough time to still influence me before the gas crisis of $1 per gallon gas. These teen years left a lasting impression from that point on where a car must have big V8, loud rumbling exhaust, and big tires, otherwise it did not get a second glance. It was the power hungry performance cars from Detroit's Big Three. The Mustang, the Camaro, the Firebird as well as the Chevelles, and Chargers to just name a few that you could hear coming a mile before they arrived. They got my attention! Over the years as I've traveled around to car shows my appreciation for the automobile expanded. The common thread that intrigued me about all of the car owners was, the pride they took in their vehicle, but what was I missing? Many of these cars did not meet my criteria of a big V8, loud rumbling exhaust, and big tires, so what's the big deal? The intent of this article is to open your mind and recognize the elegance, grace, and styling of cars before you were born, to the present.

It seems that many automotive enthusiasts have at one time encountered a similar dilemma. There are the Mustang specific clubs, the Ford Model A clubs, even the Orange Colored Car club. Everyone has they primary interests, but if you look beyond this, you can see the elegance, style, and beauty that was finely crafted by the automotive artists. Imagine looking through the viewfinder on a camera as you focus on composing the perfect image. With your naked eye, many of the details may not initially jump out. However, when you see the image as the camera does, you notice the shadows, the lighting, and the elements of the vehicle that appear to be magnified and stand out. This focusing forces you to not only look complete vehicle, but down to the individual details that make it up. These details are the core elements of that the artist creates. Like each stroke of the brush, each curve in the chrome makes up the masterpiece.

You do not have to look far to see what I am talking about. Look at a 1958 Chevrolet Belair with its massive grille, large amounts of chrome and the intricacy of the trim accent pieces all flowing together like a sculpture. Unless you pay attention to even the most minuet areas you will not see the entire masterpiece. A person once told me that when he didn't win people choice awards, his wife would say, "Did A Red Car Win?" This statement has some truth. I have seen that if there were two almost identical cars, the red or brightly colored one usually faired better even if it was not in as good of condition. The point I am trying to make is first impression is exactly that, first impression. Whereas, a seasoned judge, goes to the next level looking at the quality of the paint, and in concours judging down to the finish on the bolts. Within this spectrum is where the real artistic nature is.


I recently did some photography and show board work on a 1957 Ford Fairlane 500 that I initially seen at a local car show. When I first seen this car what stood out was its massive size, and the glistening shine of the perfect black paint. This was my first impression as it caught my attention. After talking with the owner, Joe, and learning more about his car, the real beauty of this classic vehicle was evident. You could almost see the air flowing along the sleek and graceful body lines as the 30 spokes of each wheel reflected like mirrors. It was obvious that he was focused on a perfect display, ensuring that there was a blinding shine on the chrome and paint, and every component, even the underside was perfect. One could only imagine the many hours and years spent getting to this level of perfection.


The next time you see one of these classics driving down the road, or at a car show try to vision what the automobile artists has in mind. To get a jump start on seeing these classics there is a nice selection of pictures showing exactly what I have talked about at www.PalmieriConcepts.com. The information and pictures on this site will give you many examples of these classics as well as alternative ways of composing your pictures into works of art. Palmieri Concepts focuses on transforming your everyday pictures into custom art, and as a result, attention to detail is key.